Lukas König — Stereogram 1
Ostensibly, the piece Stereogram 1 (2017) primarily contains a mix of Hip Hop and Contemporary Classical Music. It was influenced by a variety of places, cultures, synthesizers and periods. American Dada-Rap meets sub bass structures, Gamelan rhythms and morphing-textures. Synthetic sound-scapes are mixed with the contemporary sound aesthetics of a low-frequency ensemble to develop new stereograms. The graphic concept of a stereogram is transformed into a form of cross-eyed music which, after a while, evokes something other than the listener has initially perceived.
Exploring deeper layers, after concentrating on one point on the surface, the listener arrives at a perception and performance of flexible time-structures in music, with a special take on an expressive micro-rhythm within repeating patterns, featuring rap, supported by a dark mass of drones and noise. The piece features a special mix of musicians from different backgrounds. The two artists Audrey Chen (voice) and Manu Mayr (electric bass) are teaming up with Lukas König (percussion, synthesizer, voice) forming the group of soloists who will then be joined by an ensemble of 13 musicians from Klangforum Wien, acting as an accompanying large-scale mass of sound.
—Lukas König, 2017
Lukas König im Interview
Dirigent Baldur Brönnimann spricht während der Proben auf die Uraufführung mit Komponist Lukas König über dessen neues Stück Stereogram 1.